Tag Archives: arattarangetram

Arattarangetram Season 2 Episode I (Part II)

Image Courtesy: Rajendran K Srinivasan
Image Courtesy: Rajendran K Srinivasan

Hello Arattarangetram viewers,

Welcome to Season II of Arattarangetram. This is the second part of Episode I of Arattarangetram Season II. In this episode, our special guest is Anjana Rajan, Visiting professor at New Delhi’s National School of Drama and the Shriram Centre for Art and Culture, and Correspondent and senior assistant editor with The Hindu from New Delhi. 

Raghu’s Segment – Dance history

00:33 – Raghu’s question: “In recent years, there has been a reduction in space for dance writing in print media. What are your thoughts on that?

1:28 – Anjana Rajan touches upon the following topics:

  • Entertainment is given more prominent
  • Commercial aspect
  • In early days, the review was published the day after the performance and that was a norm, which changed to once a week publication.
  • Readership for arts and theatre writing
  • Editorial matters: who is listening to whom?
  • What are the other alternatives space for arts/dance based journalism?
  • Gyan Darshan event with live audience and audience calling in. The reach is from interior of the country.

13:34 – “What do you think the philosophical difference between acting and abhinaya? How do people in theatre react to emoting in dance?”

28:30 – “Some Dance compositions – prior to Margam

Catch Part III here https://arattarangetram.wordpress.com/2013/09/29/arattarangetram-season-2-episode-i-part-iii/

Arattarangetram Ninth Episode

Still from "Sibagamiyin Sabadham". Image courtesy: Madurai R Muralidharan
Still from “Sibagamiyin Sabadham“.
Image courtesy: Madurai R Muralidharan

Hi Friends,

Here is the Ninth episode of Arattarangetram. Our special guest is  Shri. Madurai R Muralidharan, Founder-Director of Nrithyakshethra Dance Academy, Chennai (http://www.muralidaran.org)

0:11 – Madhana introducing the special guest, Shri. Madurai. R. Muralidharan

Madhana’s Segment

1:40 – Madhana’s Question “How and when did you start composing music for dance?”

12:11 – Madhana’s question “For composing dance music, what aspects do you keep in mind? What differentiates composition made for dance from others?”

Raghu’s Segment – Dance history

16:12 – Raghu’s question “As a dancer and choreographer, after reading a literature, how do you go about the process of choreography? How do you bring the spirit of the literature on the stage?”

32:01 – Snippets from Dance history “Karaikaal Natesa Dhandayuthapani Pillai”

Click here to see the presentation: episode9

References: 

Raj’s segment – Devil’s advocate

37:34 – Raj’s question “How to train a child alongside learning dance? What other classes can be supplemented?”

46:25 – Knowledge of Language in dance

53:08 – Blooper

54:04Devil’s advocateWestern instruments in a Bharatanatyam performance. Are they destructive or constructive?

Topics touched:

  • Recreating sounds in a program
  • Using other Indian instruments in a concert
  • Use of instruments in a solo vs. group productions
  • Base tones, Sharp tones
  • Acoustic vs. Electronic instruments
  • Use of instruments at the appropriate place in the concert
  • Keyboard gamakams

Shri. Madurai Muralidharan’s North American tour of “Sivagamiyin Sabadham” 2013

  • July 5th – Toronto – FETNA
  • July 12th – London – Manidha Neyam Trust
  • August 24th – New Jersey
  • August 31st – New York
  • September 7th – Detroit
  • September 15th – Dallas
  • September 21st – Houston
  • September 28th – Mary land
  • October 1st week – Connecticut
  • October 2nd week – Philadelphia
  • October 4th week – San Francisco

Arattarangetram Seventh Episode Part I

Shankar Adisesh: Priya Murle. November 28, 2012 &emdash;
Priya Murle
Image Courtesy: Shankar Adisesh

Hi Friends,

Enjoy the seventh episode of Arattarangetram here.

Special Guest: Smt. Priya Murle, Artistic Director Of Shri Silambam Academy of Fine Arts from Chennai.

0:00 – Madhana introducing the special guest Smt. Priya Murle

1:32 – Madhana’s question – What is your approach to abhinaya?

7:28 – What about rehearsed abhinaya?

8:56 – Experiences in life and its effect on abhinaya

10:31 – Subha’s question – Can the audience find that the abhinaya was changed or perceive it as different from the previous performance?

Madhana’s Segment

14:44 – Video of Padmashri. Chitra Visweswaran (Jayadeva Ashtapadi) Link to video: http://www.youtube.com/watch?v=YgmvDtCoqA4 Disclaimer: Arattarangetram does not endorse the dancingindia.net’s views on dance videos. As there are very few videos available to show Chitra akka’s creativity and genius, we had to resort to showing this video.

16:45 – Discussion about the video and Chitra akka’s eye for details in choreography, lighting, and presentation.

24:36 – Video of Padmashri. Chitra Visweswaran highlighting her abhinaya. Thanks to tripmonk0 (Nick) for uploading this video. Link to the video: http://www.youtube.com/watch?v=XvLdIwEpTNs

26:40 – Different approaches to abhinaya between different styles or banis

30:19 – Discussion about the video and the subtle cues given to the orchestra

Accompanying artists and their lack of rehearsal

Shortage of accompanying musicians for dance

33:51 – Internalization of the song by the orchestra to strike a rapport in a performance

35:51 – lessons to learn from senior artists

37:54 – Raj’s question – learning abhinaya in a on-on-one class versus learning in a group class – differences

Watch out for Part II and Part III of the seventh episode with Priya Murle in the next post.

Arattarangetram Fourth Episode

Hi Friends,

Enjoy the fourth episode of Arattarangetram here.  At the outset, apologies for the echo that you hear while viewing the video. We will definitely troubleshoot this in the next episode.

Special Guest: Sangeetha Shyam – Bharatanatyam and the Worldwide Web blogger

(Link to the blog: http://sangeethas.wordpress.com/)

Sangeetha Shyam

Introduction:

00:18 – New member of Arattarangetram, Raj’s introduction

00:42 – Subha introduces the Special Guest for the episode, Sangeetha Shyam

02:31 – Madhana’s question to Sangeetha about the Bharatanatyam and worldwide web blog (http://sangeethas.wordpress.com/)

04:24 – Subha’s question to Sangeetha about her experience of maintaining the blog and her related web based activities. (http://onlinebharathanatyamacademy.wordpress.com/)

Madhana’s Segment

07:53 – Discussion about “Bala” 1976 by Satyajit Ray, where Bala demonstrating the padam “Unnai Thoodu Anupinen” in Ragam Saveri

followed by discussion about “musicality and dance”

18:24 – An excerpt from the Mohamana Varnam from the same documentary, where Bala is shown performing to the “Bhoga Tyagesa” and discussion about the line Bhoga Tyagesa.

followed by discussion about Balasaraswati.

Acknowledgement : The video shown was uploaded by another blogger Minai, who maintains the blog “Cinema Nritya Gharana“. 

Link to the full documentary “Bala” 1976 by Satyajit Ray

Raghu’s Segment

31:12 – Raghu’s question to Sangeetha about her experience of learning under Padmashri. Chitra Visweswaran

followed by being a teacher from a student

42:14 – Video excerpt showing the Devadasis doing alarippu who were in the service of the Maharaja Sayajirao Gaekwad III of Baroda in 1930.

Link to the full video: http://www.britishpathe.com/video/maharanee-of-baroda/query/maharanee from timestamp 07:10

More info about the video from Minai’s blog:

http://cinemanrityagharana.blogspot.in/2012/07/rare-video-clips-of-devadasis-uday.html

http://cinemanrityagharana.blogspot.com/2012/09/the-devadasi-video-mystery-solved.html

References:

1:00:19 – Subha’s question to Sangeetha about judging a performance

Subha and Raj’s Segment

1:02:55  –  Devil’s advocate topic “Ideal/Best diet for a dancer and should dancers watch their weight”

Topics touched upon:

  • glycemic index
  • BMI
  • Rice
  • thrifty gene hypothesis
  • south indian diet
  • fitness – resistance exercises
  • ideal body type for dance
  • criticisms towards dancers being overweight
  • mental stress on dancers about watching weight

1:27:25 – Rapid Fire round to Sangeetha by Subha

Send us your comments and views

Arattarangetram Third Episode

Friends, Apologies for the delayed posting of the third episode. Due to some technical glitches the video could not be published immediately after the shoot.

Special Guest: Dr. Joyce Paul Poursabahian

Youtube link of her dance: https://www.youtube.com/watch?v=E6XSuWR0-AE

Introduction:

00:22 – Subha introducing the guest Dr. Joyce Paul Poursabahian

01:28 –  Madhana’s question to Joyce akka about her PhD in Anthropology of Performance studies.

Madhana’s Segment

11:41 – Reviewing the Trikala jathi from the documentary “Sanchari”, based on Leela Samson.

15:30 – Joyce akka’s experience with her guru Leela Samson.

21:58 – A jathi from the varnam “Roopamu Joochi”in Thodi Ragam, followed by the sahitya part

23:17 – Leela akka’s abhinaya and related discussion about Abhinaya

27:14 – Challenges of teaching Abhinaya

Raghu’s Segment

34:49 – Dance notations in 4th century

References

•Early Tamil Epigraphy: From the Earliest times to the Sixth Century AD. By Iravatham Mahadevan, 2003, Harvard Oriental Series Volume 62, Harvard University Press.

•http://www.hindu.com/lr/2003/08/03/images/2003080300280403.jpg

•http://sangeethas.wordpress.com/2012/05/05/inscriptional-evidences-related-to-dance-and-male-dancers-in-tamilnadu/

•http://3.bp.blogspot.com/_-07hPytYBXc/TKHfM9GkYKI/AAAAAAAAAew/7HcU4ps2HHQ/s1600/erode.jpg

•http://www.hindu.com/mp/2005/10/08/images/2005100801370301.jpg

Subha’s Segment

42:29 – Rapid fire round

47:21 – Devil’s Advocate: Do we need an Arangetram? What does it stand as of today?

Topics touched upon:

  • Joyce akka’s own arangetram experience
  • Money involved (Arangetram fees vs tuitions for regular class)
  • Solo performance as a challenge
  • Pressure from others and within
  • Emotional aspect of doing/completing an arangetram

Arattarangetram Pilot Episode

Since this was the pilot episode, we did not invite anyone. However, in the future episodes you can join the discussions too…

Segments:
04:40 – Madhana’s segment, discussing Sudharani Raghupathy’s youtube video. Kshetrayya padam “Evvade” in Shankarabharanam, Mishra Chapu
http://www.youtube.com/watch?v=ArOD3VXQGlE

18:45 – Raghu’s segment, discussing “Ten things about Bharatasenapatiyam”

Sources:
Tamizhar Nadana Varalaaru (Tamizh) and History of Tamizh’s Dance (English) by Prof. Raghuraman, Nandini Pathipagam, 2007
Bharatasenapatiyam by R.S. Jayalakshmi at Music Research website
(http://www.musicresearch.in/categorydetails.php?imgid=67)

37:04 – Subha’s segment, discussing “Current generation of dancers vs. older dancers”

Please do send us your comments and response!