Tag Archives: Panchali Sabadham

Arattarangetram Season 2 Episode 2 (Part II)

Hello Arattarangetram viewers, here is the continuation of Season 2 Episode 2 of Arattarangetram, featuring Uma Sathya Narayanan, senior disciple of Chitra Visweswaran.

To listen to just the audio from the interview, you can download the mp3 from here (right click link and select “save link/target as”).

 

0:14 – Devil’s Advocate: Dance music vs. Carnatic music

9:18 – Discussing a musician’s ego when accompanying a dancer

13:06 – Communicating with musicians for dance orchestration

18:10 – Uma’s musical training with A.S. Murali Sir

22:14 – Chitra and Visweswaran’s relationship dynamic as dancer and musician

27:47 – Training for dance music

31:19 – Challenges for dance musicians

35:40 – Solutions for challenges for dance musicians

41:43 – Uma talks about singing for Chitra Visweswaran’s productions

49:55 – Rapid Fire

Thanks for watching!

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Arattarangetram Season 2 Episode II (Part I)

pic 2 Pic by Avey Varghese, Courtesy – Uma Sathya Narayanan

Hello Arattarangetram viewers, this is the first part of Episode II of Arattarangetram Season II. In this episode, our special guest is Uma Sathya Narayanan, senior disciple of Chitra Visweswaran.

To listen to just the audio from the interview, you can download the mp3 from here (right click link and select “save link/target as”).

0:05 – Madhana introduces the booklet Sathya Narayanan

2:30 – “YouTubaanubhavam” – Discussion on Uma Sathya Narayanan’s video – http://youtu.be/XjDa4i6X4yc?t=7m25s

5:00 – Uma Sathya Narayanan answer’s Raj’s question on Chitra Visweswaran’s baani, Uma Sathya Narayanan’s interpretation of it and comparison of Chitra Visweswaran’s baani with other Vazhuvoor baanis

8:13 – Uma Sathya Narayanan talks about her initial days at Chidambaram Academy of Performing Arts

9:59 – Uma Sathya Narayanan answers Subha’s question about the idea of “abandon” in dance and how it comes with experience

12:22 – Raj asks Uma Sathya Narayanan about how her personal technique has evolved

15:34 – Subha plays another video clip – http://youtu.be/lP7MCmHisZA?t=47s

16:50 – Subha asks Uma Sathya Narayanan on grace and happiness in Chitra Visweswaran’s baani

19:26 – Kathak Influence (Birju Maharaj ji) in Chitra Visweswaran’s baani

21:13 – Do today’s dancers or does Bharatanatyam in general lack a sense of abandonment/spontaneity? Uma Sathya Narayanan answers..

23:38 – Effortlessness in dancing and its importance

24:55 – Drawing inspiration from nature for dancing

25:53 – The atmosphere in Chidambaram Academy of Performing Arts, Chennai and how it is conducive for learning art forms

28:09 – Experience about working in group – “Panchali Sabadham”

30:53 – Approach towards music, stage decor for Bharatanatyam

34:16 – Shadow play in “Sakhyam” production with Lakshmi Parthasarathy Athreya

36:24 – “Body language” for mime in Bharatanatyam

37:31 – Footwork intonations (vallinam, mellinam) in YouTube video

40:00 – Pressure on the artiste to handle lights, stage craft, and other logistics before show – India vs. abroad

44:31 – Uma Sathyanarayanan answers Madhana’s question on how the artist in her responded to her husband’s loss

51:12 – Family support in getting Uma Sathyanarayanan back to dancing

53:43 – Social stigma towards her dancing

57:30 – Vail Sathyanarayanan sings “Adhuvum Solluval” Javali (Sourashtram, Adi, Dharmapuri Subbarayar)

Watch out our blog for Part II of this episode with Uma Sathyanarayanan!